Dancing Entrepreneurs

One of the things I love about our art community is the invitation for us each to claim our own "piece of Red Thread." In circles and trainings, each SiStar is encouraged to discover and claim her gifts, and empowered to share them with others. During this time of social distancing - ehm - Artist In Residence - many are offering prompts and mini classes.

This week, my IC SiStar Ally Markotich invited us to paint a series of Prayer Squares "A Three step spiritual practice to engage your innate creativity as your prayer."  Ally posts prompts Monday, Wednesday and Friday Details are available on her site. Materials are simple, paper and colored pencils, markers, watercolor, etc. 

Earth Day Medicine Basket

This weekend, students in Color of Woman teacher training and Intentional Creativity® Guild members met online to paint Vision Plan Book for these changing times. Shiloh writes that she does one of these graphic plans as preparation for each of her offerings. These folded booklets are done on watercolor paper, and are one of the Red Thread projects during the CoW Teacher Training. 

Vision Plan Book

In this month's Mothercolour Guild Call, we painted simple color wheels...I'm always intrigued that some of my favorite colors are easy to mix. It's fun to do a wheel using different colors for the primary positions, and the Mothercolour can be mixed combining all three basic colours used.

Hansa yellow, Quinacridone Magenta, Curelean Blue

Shimmer watercolor

This month's Red Tread women's circle will a Zoom call - on Resilience - check it out here!
What's on your creative agenda this weekend? 
Happy Paint Party Friday ❤ 

Colour Play - Mothercolour

How do you use and play with colour in your art? 

This year the Intentional Creativity Guild and CoW students are delving into color theory to bring more coherence to our work and teachings. After Shiloh began her art career, she started as an Art School drop out - frustrated with the rigid Rules and emphasis on creativity stifling critique - can you relate? 

I loved my HS art class, and was one of this kids who drew in the margins of her notes, sketched the neighbors' horses, and played with geometric patterns. I'd get a paint by number set, then use any left over paint on a canvas from the Dime Store. A couple of college art classes were followed by occasional occasional Community College or Art Guild classes, with color theory part of the mix.

The Color of Woman method has relied on a more intuitive use of colour, with the intermittent use of glazing for unification. This year, Guild members from several traditions are bringing in color theory and teachings on using Mothercolour in our paintings. Our first Mothercolour lesson came from Australian artist Jassy Watson

Mothercolour swatch

A Mothercolour is created by mixing several colours together (often 3), and then experimenting with adding different amounts to each of the pure colours. Thou see this in some of the paintings of the old masters. 
The glazing process we use, covering the canvas with a thin coat of a transparent color at least once, has a similar unifying effect. The recommendation to have several colours on our palette, and dip the brush into ones we wish to use together, rather than thoroughly mixing them before painting, also contributes. A tip from Shiloh's teacher Sue Hoya Sellers was to add a new colour in at least three spots around the canvas.

Mothercolour swatch #2

I was reminded of a quilt show in the 80s - one group chose a fabric for each woman to use in her square, and set the squares with strips that harmonized. The colors were more cohesive and pleasing than the random sampler block quilts from other groups.

Jassy studied color with the Australian Flying Artist, Merv Moriarty, who learned to fly so he could take art classes to romote areas around AU! Now in his 80s, Moriarty is still passionate about color, art and education! Both Watson and Moriarty are influenced by the Australian landscape.

Among the Tree Sprites 10-19

In the online Treesister class last fall, Jassy encouraged us to look to our surroundings for shapes and our colour palette, and limit the colours we used. In the first class I took from Jassy, painting Gaia in 2014, she also invited looking to our environment for inspiration. The leaves were from the Rowan yes in my yard, and the amethyst colors from a crystal in my collection.

Mama Gaia - 2014

This video from local artist Flora Bowley offers another way to explore colour and contrast with the paints in your collection. This is a good time to pull out some of those rarely used, and experiment! 

What are some of your favorite exercises for exploring colours? Do you have ways you bring unity throughout the piece or a series?
Share in the comments below - and HåPpÝ Paint Party Friday!