Harvest Queen and Princess Silver Hands

Last weekend felt like a Retreat, as two of my friends who are in this year's Color of Woman teacher training offered their required 13 step class - virtually! Carol Fairbanks has been a frequent student in my workshops and circles since 2016. I first met Christy Cozby in Sepha's certification class around the same time. 

Carol chose as her theme Harvest Queen, drawng from the HQ class I taught last fall. She scheduled her class over two sessions, so we'll meet again tomorrow. 

Heidi, Leah and Carol, fall 2019

Inquiries:

• What wisdom can I harvest from this year?
• What mature fruits are ready for harvest?
• What is ready to be Clipped?
• How can I make space for the next cycle?

I pulled the card Old man of Stories - Legba - is the story one of healing? What will being balance and harmony? (Rainbow Earth Tarot)

Underpainting - 3 words and 3 colours - centered, (Quinacridone violet and Dioxazine purple) renewal (Green Gold and Yellow Oxide) and gratitude (primary magenta)

Symbols: Apple, (fruitful harvest) spirals of life, wreath - crown, balance and wholeness

This week I revisited her face and expression, bringing in a looked Fae presence - and need to do loved listening/ journaling! We will gather again this Saturday, and delve deeper! 

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Christy's class on Sunday was based on the tale of Princess Silver Hands, or the Handless Maiden - which she told beautifully! (Several of us weren't familiar with this tale)

• what gifts do your hands bestow?
• They are the "tools of tools," enabling you to feel and do.
• What do they hold, feel, grasp, fashion, give and receive? 
• What phases go with hands/restrictions? Sitting on my hands, hands are tied, waiting for a band out ... 
• How do we internalize the patriarchy, make a margin without all the information?

Our creativity grandmother, Lenore Thomas Strauss asked, "what ancient knowing lives within these hands?"

All the great stories are variations on the same story of challenge, journey into the underworld (forest) benefactors (a pear tree that offers its fruit, King, kind mother in law) initiating and renewal.

Sketch on the background

I appreciated the places in the story where in spite of challenges, she is cared for, loved and nurtured. 

 

There's a pear tree in the background, and a cord nesting in her hair (I used reverse stencils on both paintings, the technique we learned in treesisters. One of the themes in the story is a renewal of wedding views with the King after a seperation and misunderstanding, and a big celebration of nine days and nine nights. Our Color of Woman SiStar Anna Corsini, from Florence, Italy, committed to continuing working with her lady overr this time! 

Fun to see the shadows of the birch tree on my lady ... She's continuing to inform me as well. I look forward to what each of these paintings and process have to bring.

Happy Paint Party Friday! 

Red Thread Circle Time

We began offering Virtual Circles as a pivot from the in person gatherings early in the summer, and one of those early circles was Thinking Cap. 

What comes to mind when you hear the words Thinking Cap? 

Some of us had done the process during a Guild members call, and we chose it for our August virtual Red Thread Circle offering.

We did this one during a Guild members call last year, and this week for our virtual Red Thread Circle. 

• What image comes with the phrase "put on my thinking cap?"
• How do you access information and your intuition - do you have different access channels?
• Are there different caps for different purposes?
• What feels unique? What similar to others?

I love our smaller circles - 15 women joined - from nearby Albany Oregon, to as far away as Florence, Italy! It is always a treat to see how our muses interact, and we inspire each other. We began with a couple of readings from my co-host Linda Allen and then a bit of Metacognative drawing - put pen or market on the paper, and  do a free form doodle, while thinking of the phrase, "___ my thinking cap" (activating, accessing, what's ...) we drew for about a minute, then wrote about what we accessed. 

We went on to sketch/ paint an image of our Thinking Cap for 5-10 minutes - and what a delightful variety of images emerged, and then shared during our Red Thread Circle. Cindy recalled doodling light bulbs in her college notebooks when she had "ah-ha!"' moments!

One lady showed up at the base of a tree, with messages in the roots and leaves - which led to a wonderful discussion of how tree communities support each other, sharing nutrients and connection via the mycorrhizal fungi... 

It is such a joy to share time and creative process with this community, 4 of the gals are in this year's Color of Woman teacher training - 

CoW intern Carol Fairbanks led one of our circles last month -Creating Home with Your Heart as one of her IC events - and last weekend Christy Cozby led her own version - I did the first in my Juju Journal

And the one with Christy on canvas - the prompts led to recalling the cute 50s home my dad painted pink, with dark red trim and a white roof (to reflect the Central Oregon sun) ... And the Blue Door of my piano teacher's little back room Bible Bookstore. 

 

Carol is offering her second IC session this Sunday  in a longer session- Tea Time With the Muse - you're invited to join us! 

Happy Paint Party Friday! - enjoy the artsy blog roll! 

Colour Play - Mothercolour

How do you use and play with colour in your art? 

This year the Intentional Creativity Guild and CoW students are delving into color theory to bring more coherence to our work and teachings. After Shiloh began her art career, she started as an Art School drop out - frustrated with the rigid Rules and emphasis on creativity stifling critique - can you relate? 

I loved my HS art class, and was one of this kids who drew in the margins of her notes, sketched the neighbors' horses, and played with geometric patterns. I'd get a paint by number set, then use any left over paint on a canvas from the Dime Store. A couple of college art classes were followed by occasional occasional Community College or Art Guild classes, with color theory part of the mix.

The Color of Woman method has relied on a more intuitive use of colour, with the intermittent use of glazing for unification. This year, Guild members from several traditions are bringing in color theory and teachings on using Mothercolour in our paintings. Our first Mothercolour lesson came from Australian artist Jassy Watson

Mothercolour swatch

A Mothercolour is created by mixing several colours together (often 3), and then experimenting with adding different amounts to each of the pure colours. Thou see this in some of the paintings of the old masters. 
The glazing process we use, covering the canvas with a thin coat of a transparent color at least once, has a similar unifying effect. The recommendation to have several colours on our palette, and dip the brush into ones we wish to use together, rather than thoroughly mixing them before painting, also contributes. A tip from Shiloh's teacher Sue Hoya Sellers was to add a new colour in at least three spots around the canvas.

Mothercolour swatch #2

I was reminded of a quilt show in the 80s - one group chose a fabric for each woman to use in her square, and set the squares with strips that harmonized. The colors were more cohesive and pleasing than the random sampler block quilts from other groups.

Jassy studied color with the Australian Flying Artist, Merv Moriarty, who learned to fly so he could take art classes to romote areas around AU! Now in his 80s, Moriarty is still passionate about color, art and education! Both Watson and Moriarty are influenced by the Australian landscape.

Among the Tree Sprites 10-19

In the online Treesister class last fall, Jassy encouraged us to look to our surroundings for shapes and our colour palette, and limit the colours we used. In the first class I took from Jassy, painting Gaia in 2014, she also invited looking to our environment for inspiration. The leaves were from the Rowan yes in my yard, and the amethyst colors from a crystal in my collection.

Mama Gaia - 2014

This video from local artist Flora Bowley offers another way to explore colour and contrast with the paints in your collection. This is a good time to pull out some of those rarely used, and experiment! 

What are some of your favorite exercises for exploring colours? Do you have ways you bring unity throughout the piece or a series?
Share in the comments below - and HåPpÝ Paint Party Friday!

Cross pollination

As I spend time in my little Atelier, I'm embodying how each painting informs others in I'm working on! The reverse stencil technique and landscape background from Treesister came into play as I was brewing remedies in the apothecary yesterday. 

Apothecary - Good Medicine

As I looked at my journal notes from last year's Apothecary, In the Still Room, I realized several symbols had showed up in my CODEX painting as it evolves, the Hamsa hand, the 7 Pointed fairy star, and of course the harps in Apothecary and CODEX! 

Vision Plan Book

Part of our CODEX journey, and intentional Creativity, is to attend to these common elements and symbols, as we engage our intuition and inner knowing. 

CODEX - in process

What common elements do you find in your work? 
Happy Paint Party Friday!

Harvest Queen and Treesisters

Because of a scheduling *error,* I needed to choose another day for my monthly circle, and decided to offer a little "paint party with a Red Thread Twist." It was my first local class in awhile, ten gals came, and we had so much fun! More classes are in the works, and we're talking about offering little Sip and Paint parties in my friend Holli's MECA gallery.

Harvest Queen in Process

 Two gals who have painted with Shiloh in person and online came from a town about 3 hours away! For many of the others, it was their first face on canvas, and they did so well.

Harvest Queens 

I am on the online support team for the Treewoman class Australian artist Jassy Watson offered a coupe of weeks ago in Sonoma. It's been awesome to see the variety and the wonderful connections with nature women around the globe are making. We began by sketching patterns and shapes from the natural world and human made, and making marks on our canvasses. (I used a square wood panel) Scraps of collage came next, often from pour own writing.

Treewoman - marks collage and sketch

We were invited to begin noticing shapes and forms of trees in our surroundings, plus the season and colors, and even what "season" is prevalent in our lives. I like the process of inquiry and observation in our painting practice!

Tree woman in a Newberg park

Leaves are turning colors here in the Pacific NW, and the rains beginning to come, but it's alternatly sunny, October's Bright Blue Weather! Last weekend's full moon danced into Her branches.

Pearly full moon in Aries

I'm tending in the classroom over the weekend, as some near completion, and others join the journey. I'm thinking of using a tall canvas and having another go ...

Dance of the Treewomen© 2019

What's on your easel or in your journal??
Happy Paint Party Friday!

Treesisters

How can it be Fall?!! Time is zipping by so fast!

Last weekend Maestra Shiloh invited our Red Thread community to pull out a WIP out two, and Git-er done! I made good progress with CODEX (a 13 moon journey - I am about half-way through! ... We began last year - fortunately there's no "behind" - right? ... But I need to Git-er done if I want the certificate!) 

CODEX - WIP (Work in Process)

This weekend, Jassy Watson and Gisela are up from Australia, and will be offering Treewoman and Soulscape at the Musea studio in Sonoma. When I began my Intentional Creativity journey in 14, I painted mama Gaia in an online offering with Jassy, and love her easy supportive style! 

Mama Gaia - 2014

I painted similar dancing tree women when I was living in the words in the early 90s, and am looking forward to this offering. I'll be offering online support with my IC Guild SiStars Mary Ann, Rosie Mac and Jo Laurie. it is always a joy to witness and support our sisters in their proceeds of self discovery through painting and journaling. We'll continue work support over the next couple of weeks. You'll find information on and registration for the class here.

I'll be preparing a birch panel - seems appropriate for #Treesister!! 

Happy PPF!